Tuesday, April 30, 2024

The Haunting of Hill House Ending Explained What Really Happened at the End of The Haunting of Hill House

haunting of hill house

Meanwhile, the house and its ghostly residents were driving Olivia mad by the house, convincing her that the only way to save her children from the outside world was by poisoning them and keeping them within the mansion's walls. There were a lot of ghosts running around Hill House, but we only ever really got to know Poppy Hill, the unhinged flapper who pushed Olivia (Carla Gugino) over the edge. However, Flanagan had written and originally planned to shoot a complete history of the house that would have introduced us to several of the other figures haunting Hill House's halls. In lieu of that, though, one of the show's writers has allegedly been posting stories about the Hill ghosts on Reddit. All homes filled with dysfunctional families are alike; each house cursed by ghostly manifestations of past and present sins is haunted in its own way.

The big twist: Olivia was right

See, as it turns out, if you die in Hill House your spirit is stuck there for eternity, and the mansion seems dead set on collecting as many souls as possible. The house bombards Olivia with images of her two youngest kids, twins Nell and Luke, in trouble. Over time, Olivia becomes convinced that the world outside Hill House is both a figurative and literal nightmare. The only way to save the twins, she decides, is to kill them, keeping them safely ensconced in Hill House forever. Flora's wedding takes place in a historic hotel in California.

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Not only does the poem appear in Shirley Jackson's original novel, the author used to sing it to her children before bed. Yes, a litany of grisly murders makes for an odd way to lull kids to sleep, but Jackson wasn't exactly a normal mother. See, in addition to writing horror stories and raising four children, Jackson was also a devoted occultist.

Colorado Street Bridge

“It’s full of precious, precious things, and they don’t all belong to you,” Mr. Dudley tells Hugh. Night-time has always been a hive of activity for anything spooky, and Hill House is no different. Ghosts might only appear at night because the Crain’s mental state is more fragile in the dark, and because it’s easier to hide things in the shadows when there’s not sunlight streaming through the windows. Perhaps Hill House is less powerful during the day as it’s harder to scare people when they can clearly see everything around them. Or maybe the House just needs time to gather its strength for more disturbing events, and it uses the day to recharge.

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Things get real weird real quick (it is a horror story, after all), and the ending is notoriously ambiguous. Although they mostly are undead, outside of Hill House ghosts can be the embodiment of someone’s guilt, regrets, or trauma. So the man in the bar who keeps appearing to Shirley reminds her of when she slept with him at her mortuary conference (ew) yet he isn’t dead, instead being a representation of her guilt. Luke isn’t dead either - though he sure comes close for a while - yet Nell and Olivia both see him foaming from the mouth as a premonition of his near-death encounter at Hill House. These kinds of ghosts are warnings, representing fear, or guilt, or a painful memory, and it’s ambiguous whether they’re the result of Hill House’s influence on the Crains or whether they’re hallucinations springing from someone’s fragile mental state. Hugh, for example, sees Olivia’s ghost beside him at all times, but that turns out just to be one of his coping mechanisms as when he meets the real ghost of Olivia in Hill House, she tells him that version of her was all in his head.

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What made Hill House evil to begin with, and who built it?

Remember when Olivia masterfully told Poppy Hill to piss off in the last episode when she was taunting Hugh? That moment, along with the ghost of the elderly bed-ridden Hazel Hill telling Olivia that Poppy lies, implies that although the ghosts are - well, ghosts, they get to know each other in the same way us living folk become accustomed to people. Being confined to Hill House probably forces you to socialise. Which is a nightmare in and of itself, to be honest. Why are some people driven mad by Hill House but not everyone? It's clear that had Olivia never moved into Hill House, she never would have attempted to murder her own children.

The Haunting of Hill House is a 1959 gothic horror novel by American author Shirley Jackson. It was a finalist for the National Book Award and has been made into two feature films and a play, and is the basis of a Netflix series. Although the building was remodeled in 2011 and now serves as apartments for seniors, the ghost stories still persist.

haunting of hill house

This possibility is suggested especially by references early in the novel to Eleanor's childhood memories about episodes of a poltergeist-like entity that seemed to target her home. This show—a huge departure from the events of Shirley Jackson's 1959 novel on which it's based—follows the Crain family along two timelines. One timeline sees the family moving into Hill House and the spooky events that led up to their mother Olivia's (Carla Gugino) death by suicide. If you're still sitting around wondering if Abigail was dead the whole time, you're asking the wrong question.

Master of stories, master of Hill House's domain

The wheelchair ghost appears throughout the series and torments the Hill children from the very first episode onward. During the Crain family's last night in Hill House, Olivia Crain, wife of Hugh and mother to Steven, Shirley, Theo, Luke, and Nell, killed herself. It happened sometime between when Hugh stashed all of his kids in the car and when he returned to Hill House to check on his ailing wife. Why Olivia committed suicide and what exactly happened that night are the keys to the show's overall plot, but The Haunting of Hill House waits until the final couple of episodes to spill the beans.

haunting of hill house

Based on the exchange of scary stories in the first episode, the hotel used to be a convent. Perhaps it will be the inspiration for season 3 of the Haunting series. The Red Room remains the final big mystery of the season. This is the room that the Crain kids were unable to open throughout their childhood.

The novel has been adapted to film twice, in 1963 and again in 1999, both times under the title The Haunting. The 1963 version is a relatively faithful adaptation and received critical praise. The 1999 version, considerably different from the novel and widely panned by critics, is an overt fantasy horror in which all the main characters are terrorized and two are killed by explicitly supernatural deaths. If you're having a hard time wrapping your head around the notion that ghosts don't necessarily need to be the spirits of deceased people then you're going to have to open your mind a bit.

In follow-up investigations, a number of instances of paranormal phenomena were witnessed including cabinet doors swinging open and closed, lights flickering on and off, pots falling and hitting the floor, and a series of orbs appeared in photos. Other witnesses reported loud noises and banging. Doris Bither eventually moved out of the house and unfortunately, the spirits seemed to follow her to her new home.

Haunting may not be around the corner—but another Flanagan project is. Production on Flanagan's next Netflix horror series, Midnight Mass, began in August. Midnight Mass will feature two Haunting regulars–Henry Thomas and Kate Siegel, who happens to be Flanagan's wife. The cast of Bly Manor and Hill House don't play favorites between the shows.

If the cast has any say in the matter, the answer is a resounding yes. Much like Ryan Murphy's horror anthology American Horror Story, the Haunting series features the same actors playing new characters—and "the regulars" are open to returning. Production on the series began in October 2017 in Atlanta, Georgia, with location filming in the city and its environs.

The book also shows up in the Netflix movie Gerald's Game, which Flanagan directed. Looks like Netflix is becoming the new site of the Mike Flanagan horror universe, and we can't wait to be scared. While Bly Manor and Hill House both feature ghosts (lots of 'em, in fact), the shows are as concerned with exploring what ghosts represent as creating jump scares. Take Bly Manor's tagline, "Dead doesn't mean gone." In another horror work, this sentence would be purely foreboding. Within the context of Bly, though, it raises the notion of connecting with loved ones after death. Given this pattern, will there be a third installment in Flanagan's Haunting series?

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